"The Forces of Naturalism"

The Forces of Naturalism

Following the declining of romanticism in the nineteenth century, realism and realism became to a greater extent prevalent in American fiction. Stephen Crane and Jack capital of the United Kingdom embodied the naturalistic genre by writing stories that manoeuver how forces of society, nature, and economy shape the lives of their characters and let fate determine their lives. The naturalism of the stories is shown by the indifferent and objective environment in which each(prenominal) character is placed. These surroundings are shaped by forces that are overwhelming to their characters, as is consistent to naturalism. Crane and London as well as differ in their representations of the possibilities of their characters.

In Maggie: A Girl of the Streets, Stephen Crane places his briny character, Maggie, into an urban environment. The indifference of this setting is shown through the interactions and apathy of the many a(prenominal) residents. The story begins with a fight kerfuffleing out among a large group of boys. The engineer of a passive towboat hung lazily over a railing and watched (11). Rather than break up the fight, the onlookers merely observed. Crane writes A dozen crazy doorways gave up loads of babies to the street and gutters (15). This is another sample of the metropolis environment that apathetic on the wholey gives its young to the forces of the streets.



There are and examples of indifference demonstrated by the interactions between the characters.

When the children are all gathered to weeher in the apartment, Crane shows their mothers own berth toward them with Come ahn an Ill stamp yer faces trough d floor. (47) and Git outa dway (16). Perhaps the best example of the characters indifference is when Crane writes The babe, Tommie, died. He went away in an unnoticeable coffin. (24), She and Jimmie lived. (25). This short and matter-of-fact consideration is all that is said...

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