The origins of modern humankind behavior are a contentious issue and the orbit of ongoing and extensive debates. However, recent archaeological discoveries seem to jot the prehistoric inhabitants of Blombos Cave in Southern Africa mediating symbolic behavior, playing an intrinsic role in creating the earliest social conventions. In a 30-minute documentary, Christopher Henshilwood and his team lead expose viewers to their unique archaeological findings, involving a coating of bright red pulverization known as ochre being embedded on the insides of two Haliotis midae (abalone) shells. In essence, the substance was assumed to be the dehydrated remains of a primitive form of paint, and was found on with other artifacts such as grindstones, hammer stones and animal bones, claimed to deal as paint toolkits (Henshilwood, 2001). These encounters perpetuates the notion of how our earliest ancestors of Homo sapiens in the Middle Stone Age (MSA) may prepare been processing an artists workshop, outlining the primary human technical and behavioral skills that could basically develop the first emergence of art culture. Consequently, this documentary will deliberate the behavioral paradigms regarding the use of ochre, and investigate of whether the transition to modernism conducts was of linear or mosaic nature.
In the precedent section, viewers will be introduced with an expository understanding of the Blombos countermine topography, locating the core out in a limestone cliff on the coast of South Africa about 180 miles east of mantelpiece Town. Besides being shielded against vigorous wind and rain, the Blombos cave is excessively positioned approximately 3.45 meters above sea level, revealing higher(prenominal) abundances of marine resources (Henshilwood, 2001). These conditions may have encouraged nomadic hunter-gatherers to lodge in this cave while developing a innovative means of subsistence by forming stone tools. Furthermore, viewers will also be illustrated with the stratigraphical sequence of the Blombos Cave in...
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