John Steinbeck's The Chrysanthemums

Later, however, as she is driving into townsfolk for dinner with her husband, enzyme-linked-immunosorbent serologic assay sees that her chrysanthemums pick out been dumped on the side of the road. fel first-class honours degree feeling that the handy man tricked her in order to make money, enzyme-linked-immunosorbent serologic assay is devastated.

While Steinbeck's story may seem simple on the surface, his choice of setting and use of symbolism make "The Chrysanthemums" a far more complex tale. From the opening lines, Steinbeck bestows up his setting, the Salinas vale in Monterey Country, California. The reader is introduced to the "high grey-flannel fog of winter" in the Valley that "closed [it] off? from all the rest of the initiation" (Steinbeck 419). Steinbeck further increases the isolated feeling of his locale as he describes that the fog "On every side ? sat alike(p) a lid on the mountains and do of the great valley a closed pot" (Steibeck 419). The Salinas Valley is thus made to seem almost prison-like, as Steinbeck also imbues the setting with a sense of hopeless as the reader is told that "there was no sunshine in the valley now in celestial latitude" (Steinbeck 420). There is a definite claustrophobic, depressed feeling in the opening paragraphs, which sets up the reader for the story that is to come.

After Steinbeck introduces the computer address of Elisa, the story's symbolism becomes evident. In the initial description of Elisa, her frock have an interesting significance. Steinbeck explains that "Her figure looke

At the same time, symbolism is used to demonstrate Elisa's relationship to the man actor in story as well. When her husband finishes his telephone line transaction and comes to speak with Elisa, "he leaned over the wire fence that saved her flower garden from cattle and dogs and chickens" (Steinbeck 420). The fence that surrounds her garden is emblematic of the way in which Elisa is isolated from the world rule by workforce. The garden, full of flowers that represent femininity and womanhood, is the only congruous domain for Elisa, patch her husband is free to conduct business with the outside world, as represented by the "two men in business suits" (Steinbeck 420).

Thus, when Elisa discovers that the handy man was scarcely manipulating her so that he might earn some money, she is devastated. The deserted chrysanthemum clippings are a symbol of the fact that despite the power she may have felt, Elisa will remain detain by society's views of what a woman should be and do. She cannot rise supra the constraints placed upon her, and thus, as the story ends, Elisa is forced to play the role of loving farm wife.

d blocked and wakeless in her gardening costume, a man's black hat pulled low down over his eyes, clodhopper shoes, a figured impress dress almost completely covered by a big corduroy apron with four big pockets to reserve the snips? She wore heavy leather gloves to protect her hands while she worked" (Steinbeck 420). The fact that Elisa's figure looks "blocked" in her gardening clothes is meaningful because as a woman, her identity and sense of liberty are "blocked" by the constraints that society has placed on her. In addition, her print dress, which is indicative of her femininity and womanhood, is covered by a utilitarian corduroy apron. This seems to suggest that while set-aside(p) in the kind of manual labor that is typically associated with men, Elisa must cover up the traits that distinguish her as a woman in order to perform effectively.

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